All Code F stamps are approx. 2" x 4.5" in size

^isaprocart^

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Use the Pond in front of just about any structure for a private fishing hole or stamp it in the open terrain in multiples for a wetlands situation. For additional foliage try some water foliage such as Cattails 017D.

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A sibling to Tree Trunk 087F. Can represent slightly more distant trees than 087F if used in the same scene. Stamp these trees as one impression or extend the usage of the stamp by colouring in individual trunks or pairs to create a full forest.

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A design used as an element under the foliage line. When using this stamp, be sure to have it going off the top of your page. It's a great bold foreground stamp as well. Try stamping it out in black or dark brown and add light tones of browns and greens for moss.

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A good foreground image or an image to be used by itself. Used on its own, I like to stamp it out in several impressions of different values of a given hue - for example: in light blue, medium blue and black creating a wintertime forest.

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This image is designed to be used as it is or stamped out as individual stalks if the user wishes. Palm Fronds #1 136C, Palm Frond #2 137C and Palm Frond #3 138C are designed to go with these stalks. Designed as seperate elements so they could be stamped out as many or as few times as wished, depending on the nature of the scene.

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This is the perfect foreground image in tropical scenes that feature palm trees. The Palm Frond Lge will add depth to a scene and repeat in a larger version, the palm fronds in the distance thus creating visual continuity between near and far.

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This image takes the viewer's eye into the scene. Fill in the sides of these images with grass textures such as Sedge Filler 251C and Tall Grass 253D. An option is to make it a rugged dirt road with the use of Pebbles 256A.

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This image takes the viewer's eye into the scene. Fill in the sides of these images with grass textures such as Sedge Filler 251C and Tall Grass 253D. An option is to make it a rugged dirt road with the use of Pebbles 256A.

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This image can be stacked to create layers of oak filled hills and finish off the sides of the Water Mill and Cabins. Can also be used on it's own as layers of hills. I tend to stamp the lower impressions of Oak Row in dark tones and with each row that's stacked, I use lighter colours. This creates the illusion of space and distance. Angled impressions give an added sense of drama to this row.

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A tropical basic. A main image in a scene or by using a portion of it, a background. Looks good in both day or night scenes. The bold/solid shapes of the trees allows for the stamper to use it in as dark a night scene as they want and for it to still be visible.

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I love tall grass at a waters edge. Sedge Bank left 234F and Sedge Bank right 233F answer this calling. You can extend the shoreline of Autumn Brook 212G, and Autumn Bank left 213G and Autumn Bank right 214G with the Sedge Banks or use them on their own. Cap off the top with Sedge Filler 251C and plant any type of tree or stamp a structure on them to fill out the scene.

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I love tall grass at a waters edge. Sedge Bank left 234F and Sedge Bank right 233F answer this calling. You can extend the shoreline of Autumn Brook 212G, and Autumn Bank left 213G and Autumn Bank right 214G with the Sedge Banks or use them on their own. Cap off the top with Sedge Filler 251C and plant any type of tree or stamp a structure on them to fill out the scene.

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Waterside Bluff left 148F and Waterside Bluff right 149F are designed as foundations for side objects. Use these images in multiples to create a continuous stream or use them as waterside foundations for trees, cabins, meadows etc. An excellent landscaping basic to create water where there was none.

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Waterside Bluff left 148F and Waterside Bluff right 149F are designed as foundations for side objects. Use these images in multiples to create a continuous stream or use them as waterside foundations for trees, cabins, meadows etc. An excellent landscaping basic to create water where there was none.

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Create lines of clouds that can be used to fill an entire sky or can be used with other types of clouds for a mixed sky. Try adding highlights to the tops of the clouds with gel pens or stamp it upside down to be bottom lit by a moon or sun.

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A nice image that can be used as a background image for your scenes. You can stamp it once or stamp it in multiples, not only side to side but on top of itself and it will look as seamless as if it was one stamp used. A good basic landscaping element to have on hand.

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One of the most popular images in the Stampscapes line. Use this image with Pine Row 150E stamped behind it in various values of the colour scheme. You can use it on the side of a brook, nestled in a grassy meadow or on a snowy plain.

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A central or background image in the tropical series.

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Great Blending stamp. Stamp it over itself across the page, stack it on top of itself, it just keeps blending seamlessly. Nice as foregrounds such as a near shore in a lakeside scene or as a rocky ledge at high altitude. Looks good with pine trees on.

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A different look to a meandering brook. Continue the sides of this brook with the Sedge Bank right and Sedge Bank left.

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A great little design that seems to be used for every occasion.  There must be something about a cabin on a lake that we find very relaxing.  It's the place we'de like to be or be able to visit whenever the notion strikes.  Colour the window yellow as if a light's on inside and do the same in the window's reflection on the water's surface for a nice detail.

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Soft Hill can be used as a gentle rolling hill that can be matched with many different scenes in many applications. Use it as a background for other midground and foreground subject matter or use it as the subject. Colour to match your scene's season.

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You can stamp this in an overlapping fashion as it blends in a seamless manner. It's designed to blend side by side as well as in a stacking position.

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