All Code G stamps are approx. 3" x 5.75" in size

^isaprocart^

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Autumn Bank left 213G, Autumn Bank right 214G and Autumn Brook 212G move into imagery where tree colour is completely at the whim of the stamper.  213G and 214G can match together at their distant or near points to create continuous Autumn shorelines.

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Autumn Bank left 213G, Autumn Bank right 214G and Autumn Brook 212G move into imagery where tree colour is completely at the whim of the stamper.  213G and 214G can match together at their distant or near points to create continuous Autumn shorelines.  213G is also a good match for 212G as both sides also match up against each other.

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This branch has been designed to be used in various positions at any angle.  In foregrounds as well as backgrounds.  It adds texture and depth to a scene.  One of the landscaping basics that I would recommend to anyone thinking about getting into this type of stamping.  Also works great on it's own as a complete graphic statement when used, for example, embossed in a light tone or metallic embossing powder on dark card stock.

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To give a "burst" to your scenes, just add a "Fountain of Light" to any mountain to create an explosion.  With the Tonal Applicator 084E you can blend in tone to give a richness and vibrancy to the plumes of liquid fire.  Another popular application of this design is to use it for fireworks.

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This image can be used in either day or night scenes.  Pairs with Rocks and Waves 235E for additional crashing waves.

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This image can provide depth when stamped across the final scene.

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This stamp is one of my favourites.  I like to stamp the spooky branches across moonlit scenes.  Pairs well with Cloud with Rising Moon 198G.

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Stamp this Chapel in a field of wildflowers or at the end of a Curvilinear Road 145F.  Stamp it under a moonlit sky where snow reflects in cool crystalline air or on a warm late summer afternoon.  This stamp can be stamped for any season or any time of day.  Pairs well with Sedge Filler 251C for added grass texture and either Tree Cluster 244E or Tree Cluster sm 266D to fill out the surrounding area with similar trees structures.

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This image represents one of those places that we'de all like to visit on a regular basis or have as an after work retreat on a hot summer night.  Stamp it out and colour in the sides of the huts so that the rooftops appear illuminated by a moon in the same scene.  Create an entire tropical bay with the huts as your private residence.

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This image can accompany Palms with Huts 094G or can be used on it's own to represent an island inlet.

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Can be used on the horizon depicting the suns rays rising to the heavens or on a downward position to portray crepuscular rays as the sun's light reflects off atmospheric particles.  Use this stamp along with the Cumulus Cloud 018E.  Paired, they make a dramatic sky of illuminated clouds.

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A perfect base for setting the stage for a scene's main characters such as wildlife or people.  The dark tree line in this scene makes it possible for minimal masking.

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This image works well with Babbling Brook 183G and Boulders with Lichen 205F.  The falls give the water a sense of motion and grace that contrast against the heavy and solid rock shapes.

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An image that works well with both Babbling Brook 183G and Brookside Falls 184G/

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This design has depth where Brookside Falls as height.  Both go together well or can be used independently.  The idea here was texture as well as volume.  The trick was where to put the texture and how much, as to avoid individual shapes from blending into one another and thus becoming one continuous mass.  Like in Brookside Falls 184G, the idea of water that was moving was key in how it was to be portrayed against the solid rock forms.  The Wading Fisherman 186B works well with this image.

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An island mountain image to go along with any of the tropical images to give scale and texture to background.  A fun application is to pair it with Fountain of Light 104G to create a tropical volcano bringing new land surface to the world.

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